Costume can also convey the geographical setting, as in this Kabuki performance. Costumes support the overall style of a production, along with the other design elements. If a production is naturalistic in style, then costumes should be realistic and recreate everyday life.
As they are seen as the non-verbal elements of a performance, they include the clothes and accessories carried by the actors and actresses on stage; they communicate hidden messages to the audience if well depicted or handled by the costumier. Another exciting career in the theatre is that of a costume designer. A costume designer is the person who plans or designs the costumes to be worn by actors in a theatrical performance. The shapes, colors, and textures that a costume designer chooses make an immediate and powerful visual statement to the audience.
The creative collaborations among the costumier, director, set and lighting designers and other technical crews ensures that the costumes are smoothly integrated into the production as a whole. Theatre is a collaborative art, where the playwright, artistic director, technical designers, performers and audience come together to make a theatre experience.
Costumes are complimentary theatrical elements with various functions; which deals with the personification of characters on stage. Costumes are paramount among other visual elements in the theatre used in relating human experiences to an audience. Costume is the clothes worn by actors on stage, whether it be layers of clothing or nothing at all. Costumes can also be derived from every day dress or it can be symbolic; a dress made for a ghost must of necessity depart from the natural dress worn by humans, it is usually symbolic.
For example: If a character is costumed in black tunic with horns on his head, by merely seeing that character on stage, what comes to the mind is the picture of the Devil. Costumes are the most personal aspect of the visual elements in theatre. To members of the audience, a performer and his or her costumes are perceived as one, they merge into a single image on stage.
At the same time, costumes have values of their own, adding color, shape, texture, and symbols to the overall effects created on stage. Accessories such as masks, walking stick, head gear, hairdo, make-up and personal items like bracelets and necklaces, are important components of costumes. Apart from the theatre, most people think of costumes in terms of the outfits people wear to parties, office, traditional ceremonies and so on.
Like other aspects of the theatre. However, costumes play significant roles in daily life. In order, for a play to come alive, the creative dexterity of both the Artistic director and his technical crews must come into play in line with the selection of a good script. In fact, in the theatre, costumes are means of depicting character given circumstance.
Thus, they aid characters actions on stage, thereby portraying the proper character traits required of the actors. Costumes can be used to describe age of the actors, the period of the play, costumes can be used to depict moods, costumes can be used to distinguish occupations, costumes are a cultural marker, costumes can tell the time and weather of the play, Etc.
In plays incorporating history or fable or myth, costumes has the added function of providing spectacles on stage. Designers may have the assistance of a dramaturg in this process, or assign research topics to members of their costuming team. After completing research, costume designers use a combination of sketches, photos, and digitally altered images to create a costume plot—a visual depiction of each character's costume changes throughout the production—and present it to the director and other members of the design team for feedback.
Whether purchasing, creating, or tailoring costume pieces, the costume designer is in charge of the costume team, budget, and time frame for the project. They also schedule fittings with actors and oversee costume alterations and repairs, as well as providing actors and stagehands with guidelines for their proper care. They might begin by working on college or community productions or interning for university costume departments.
From there, they progress to become assistant designers. Successful costume designers might work with prestigious theater companies on big-budget productions, transition into designing costumes for films and TV shows, or lead the design of entire concerts and tours as live show designers. Costume designers are creative, resourceful, observant, and analytical.
They have a deep knowledge of and curiosity about fashion and costuming history, and are experts in using clothing and accessories to enhance character and story.
Additionally, they must have the attention to detail, leadership, and time management skills to get projects done on time. As for most in the theater business, networking and self-promotion are vital skills for finding work. Costume designers typically begin researching and creating designs for a production months before it's staged, although production cycles can vary greatly.
As with many jobs in performing arts, work days tend to grow longer and less predictable the closer it gets to showtime. At times, costume designers may work only a couple of hours per day; at other times, they could work ten-hour days or even all-nighters in the costume shop. Don't see what you're looking for?
Main Site Berklee.
0コメント